Essays

Against the Template

Templates are how good products end up looking like each other. Distinctiveness is a choice you have to keep making.

SelynFebruary 20261 min

There has never been an easier time to make something that looks fine. Grab a template, drop in your content, pick a font from a shortlist everyone else is picking from. In an afternoon you have a product that looks like a thousand others, and that is exactly the problem.

The tyranny of fine

Templates optimise for a floor, not a ceiling. They guarantee you will not be ugly, at the cost of guaranteeing you will not be memorable. They encode the average of what worked before, and the average is, by definition, forgettable.

Fine is a trap because it feels safe. Nobody gets fired for shipping fine. But fine does not get remembered, repeated, or talked about. In a crowded category, looking like everyone else is not a neutral choice. It is a slow way of disappearing.

A template answers questions you should have wanted to ask yourself.

What you give up

Every default is a decision someone else made for their situation, not yours. The grid, the rhythm, the tone, the way the story unfolds. When you accept them wholesale, you inherit a point of view that was never about your company. The result is coherent and anonymous, which is a strange thing to pay for.

The alternative is not to reinvent everything from scratch. It is to decide which few things are worth being different about, and to be genuinely, specifically different there.

Distinctiveness as a habit

Standing out is not a one-time act of bravery. It is a habit of small refusals. Refusing the default hero. Refusing the stock photo. Refusing the layout you have seen ten times this month. Each refusal is tiny. Together they are the difference between a brand people recognise and a brand people scroll past.

We are not against tools, or speed, or starting points. We are against surrendering the decisions that make you you. Keep those. Fight for those. Template the rest.

Written by Selyn. Filed under Essays, February 2026.

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